Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Jjean-Marc nattier
Repro painting of Philippine elisabeth d'Orleans or her sister Louise Anne de Bourbon

ID: 76962

Jjean-Marc nattier Repro painting of Philippine elisabeth d'Orleans or her sister Louise Anne de Bourbon
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Jjean-Marc nattier Repro painting of Philippine elisabeth d'Orleans or her sister Louise Anne de Bourbon


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Jjean-Marc nattier

French Rococo Era Painter, 1685-1766  Related Paintings of Jjean-Marc nattier :. | Princess Anne Henriette of France The Fire | Portrait of Philippine elisabeth d'Orleans or her sister Louise Anne de Bourbon | Portrait of Louise Henriette Gabrielle de Lorraine Princesse de Turenne, Duchess of Bouillon | Marie Leszczynska, Queen of France | Portrait of Pierre Victor Besenval de Bronstatt commander of the Swiss Guards in France. |
Related Artists:
Wachtel, Marion Kavanaugh
American, 1875-1954
Arthur streeton
1867 - 1943 Australian painter. He moved to Melbourne with his family when he was seven. In 1882 he enrolled as a student of drawing at the evening classes of the National Gallery School of Design and briefly in the School of Painting, but he had no sustained formal instruction in painting. At the same time he began making watercolour sketches of Melbourne, and by 1886 his skill led to an apprenticeship as a lithographer to George Troedel and Co. of Collins Street. The most important early influence on Streeton was Tom Roberts, who had returned to Melbourne from Europe in 1885. With Frederick McCubbin, Streeton and Roberts painted en plein air at a temporary camp at Box Hill, forming what became known as the HEIDELBERG SCHOOL. A little later Streeton established the first permanent artists' camp at Eaglemont, north-west of Melbourne, overlooking the Yarra Valley, where he painted some of his most memorable works. 'Still glides the stream and shall forever glide'
Christian Seybold
1690/7-1768 German painter, active in Austria. He went to Vienna in his youth and, apparently self-taught (Hagedorn), became a portrait-painter. His earliest known work, surviving only in an engraving (1728) by Andreas Schmutzer (1700-40) and Josef Schmutzer, is a portrait of Graf Johann Adam Questenberg in the formal Baroque style. Subsequently, under the influence of Balthasar Denner, he turned to a more intimate style of representation,






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